THE COMPANY OF WOLVES

THE LESSONS: MILCHO MANCHEVSKI’S ADVENTURES IN FILMMAKING

ADOLESCENCE

MAKING FILM IN EGYPT

GODS OF MEXICO

CONCLAVE

INCIDENT

FLOW

I CALLED HIM MORGAN

ALL ABOUT MY SISTERS

INVISIBLE NATION

ANGELS WEAR WHITE

LA COCINA

HUESERA: THE BONE WOMAN

DIANA VREELAND: THE EYE HAS TO TRAVEL

ANTONIO LOPEZ 1970: SEX FASHION & DISCO

STRIKE A POSE

LOURDES

THE WITCHES OF THE ORIENT

TACKLING SPORTS MYTHOLOGY

HOOP DREAMS

ORIGINS AND INSPIRATIONS

TWO LOTTERY TICKETS

A communion of desire at the end of the 18th century

STORY OF MY DEATH

THE FILMS OF HAL ASHBY

A meditation on the crossroads between nature, animals and humans

KALA AZAR

BEHIND THE SCENES AT THE CANNES FILM FESTIVAL

SOMETHING IN THE AIR

Queer adolescence & introspection in Morocco 

SALVATION ARMY

Strength and struggle in the face of transphobia

LITTLE GIRL

THE INVITATION

CINEMATIC INFLUENCES

The guiding principles of visual storytelling

PERSPECTIVE AND INTUITION

Galerie Curator Duke Johnson breaks down his beloved scenes from freaky films

DUKE'S SPOOKS

5 UNDERRATED QUEER FILMS

THE HISTORY OF LGBTQ+ MOVIE MARKETING

PRIDE, CINEMATICALLY SPEAKING

THE ART OF QTBIPOC STORYTELLING

MY BEAUTIFUL LAUNDRETTE

MEETING A FILM WHERE IT IS

SPOTLIGHT: COMPOSING FOR FILM

SEYMOUR: AN INTRODUCTION

THE SEARCH FOR FORM:

FICTION AS DOCUMENTARY

MEEK'S CUTOFF

NOCTURNAL 16MM:

LOST IN LA MANCHA

SPOTLIGHT: THE WIM WENDERS FOUNDATION

L'AVVENTURA

The perils and promises in Andrew Haigh’s WEEKEND

FLEETING INTIMACIES

Richard Linklater’s mosaic of teenagehood


DAZED AND CONFUSED

ALL THAT JAZZ

CLUELESS

Demystifying filmmaking with the director of THE KILLING OF TWO LOVERS

A HOW-TO WITH ROBERT MACHOIAN

Resurrecting the Ghosts of Lucrecia Martel’s THE HEADLESS WOMAN

WOMAN, INTERRUPTED

Establishing a cinematic world through a child’s POV 

THE OBSERVERS

DEAR DIARY

Exploring the historical context of Gillo Pontecorvo’s THE BATTLE OF ALGIERS


A CASE STUDY FOR INDEPENDENCE

WANDA

The making of Jane Campion’s miraculous biopic

AN ANGEL AT MY TABLE

CLOSE ENCOUNTERS OF THE THIRD KIND

When the emotional terrain of subject and filmmaker intertwine

IN THIS TOGETHER

FIVE EASY PIECES

Discussing István Szabó’s FATHER and LOVEFILM

FATHER & LOVEFILM

Discuss

Discuss

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Director Discussions

Curator Chats

Eternal Pride

Visual & Auditory Anatomy

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