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STRANGE DARLING

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GETTING HIGH ON FILM

Na Hong-jin’s police procedural–meets–supernatural horror masterpiece

THE WAILING

Andrea Arnold’s intimate documentary portrait of bovine selfhood

ALL ABOUT MY SISTERS

INVISIBLE NATION

LA COCINA

HUESERA: THE BONE WOMAN

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A communion of desire at the end of the 18th century

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A meditation on the crossroads between nature, animals and humans

KALA AZAR

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Queer adolescence & introspection in Morocco 

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Strength and struggle in the face of transphobia

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The perils and promises in Andrew Haigh’s WEEKEND

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Demystifying filmmaking with the director of THE KILLING OF TWO LOVERS

A HOW-TO WITH ROBERT MACHOIAN

Resurrecting the Ghosts of Lucrecia Martel’s THE HEADLESS WOMAN

WOMAN, INTERRUPTED

Establishing a cinematic world through a child’s POV 

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Exploring the historical context of Gillo Pontecorvo’s THE BATTLE OF ALGIERS


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The making of Jane Campion’s miraculous biopic

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CLOSE ENCOUNTERS OF THE THIRD KIND

When the emotional terrain of subject and filmmaker intertwine

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